Cultural Apprenticeship Blogs
Four Apprentices were selected in 2022 by the Cultural Committee to learn from three Master Artisans. Apprentices record their learning progress in these blogs for our community to join them in their journey.
Gwen Sauser Learns Chilkat Weaving From Marsha Hotch
My sister Cara and I are looking forward to this journey we are embarking on. The journey so far has been unexpected, soul-searching, and filled with hope. Chilkat weaving whispers and beckons to the core of who we are, individually and collectively as a People.
I, myself, am a total beginner to weaving. Chilkat weaving has been a huge part of my family for as far back as I can remember. My father David Land used to help collect the goat wool, my grandma Edna would help prepare it, and my great-grandma Jennie Thlunaut wove the beautiful robes that I would often look at and admire.
I am looking forward to learning alongside with my sister Cara Gilbert, as we learn from Marsha Hotch. With Marsha we will receive an immersive experience: we will learn to weave, language connections, handle and process goat wool, create Chilkat warp, dye weft, integrate clan stories, and go on a museum trip where we will learn to study and examine the robes.
Rob Martin Learns Silverworking From Greg Horner
Rob Martin learned engraving under Gregg Horner in 2009-2012. In 2017 Rob invested in himself and created an engraving shop in his garage. Rob’s work emphasizes quality over quantity. Rob is an emerging silver engraver who wants to expand his skills and knowledge. He will learn how to make rings, inlay stones and gems, do chasing and repousse, and how to inlay and solder different metals.
Cara Gilbert Learns Chilkat Weaving From Marsha Hotch
Karen Taug Learns Chilkat Weaving From Lily Hope
Karen Taug started learning Chilkat weaving in 1984 with Anna Brown Ehlers. She took a break to raise a family, restarting in 2010 with Clarissa Rizzal, Lily Hope’s mother. Since 2016 she has been committed full-time to weaving. She has primarily been weaving in Ravenstail. She would like to improve her weaving and master Chilkat weaving techniques. Chilkat weaving is harder than Ravenstail. She will learn how to start a dancing blanket, execute design from pattern templates, measure the warp, warp the loom, interlock bordere colors, Jennie Thlunaut’s fastest finger twining technique, braid techniques, making a perfect circle, overlay fringes and other skills.